straight out of a midlands bunker, we bring you he/at, and this 4 track debut hits hard.
no clue yet who has actually produced these tracks, but this is an accomplished ep to say the least, showing serious range and floor-filling sensibilities with an experimental edge and a serious bottom end. 4 tracks of fresh, raw, intense techno, tried and tested by a select few that have it.

for the second part, frankfurts losoul (playhouse,logistic) takes the downbeat dub-techno-jazz of renatos underpool and turns it into an anthemic deep house number thats 12 minutes long and 20.000 leagues under the sea, yet full of bounce. finally, berlin-based brit ed davenport (counterchange) takes anymore and gives it an entirely different edge, a naval onslaught of crashing, jacking breakbeats, while sonar frequencies gently circle outward like the sirens call, rounding out the funkoholic remixes voyage.

super elegant 4 tracker ep bringing together detroit influences and 90s raw minimal with a dubby edge by up and coming artists pablo tarno & anthony constands.. included tolga fidan epic house remix. a little gem marking release number 20 of serialism catalog.

frisch aus der vergangenheit: chico manns trip durch die zukunft der musik. pressung auf 180 gramm vinyl, mp3-download inklusive.
magical thinking ist bereits das fünfte album von chico mann aka marcos garcia, seines zeichens multiinstrumentalist mit schwerpunkt gitarre und bekannt als mitglied des orchesters antibalas. in der jüngeren vergangenheit machte der beat-freestyler aus brooklyn durch gastspiele bei tv on the radio, the roots und dam funk sowie remixe von little dragon und alice russell auf sich aufmerksam.

in mood swings ep, miguel migs and shades of gray have come together to deliver a fine deep house affair drenched in rich textures, subtle undertones and moody melodies. aspects of both classic and modern deep house intertwine expertly on these four tracks, creating edge and dynamism that is dance-floor ready.

dfrnt aka alex cowles, has put out a string of critically acclaimed releases via his own echodub, and londons, on the edge imprint, since his arrival on the scene in 2008, had his track headspace remixed by scuba which featured on the producers sub:stance mix cd for ostgut ton, and maintained a consistently forward-thinking approach to electronic music throughout this. here he joins 2020 vision offshoot fina records, alongside the likes of move d, leif and roberto rodriguez.

following on from his long awaited album ku:palm in november of last year, we now see its lead track pyramid get a vinyl release on photeks own label, photek productions. the eastern instrumentation and spacey beats may not be apt for every dance floor, but for fans of modus operandi era photek, pyramid is an essential tune. on the flip we have oshun, another track from ku:palm this time remixed by beneath, a producer that began making waves last year with a series of 12 inches on his own label, no symbols and a cracking mix for fact mag. he has gone on to release the illusions ep on dusk & blackdowns keysound recordings, as well as a 12 inch on pinchs influential tectonic recordings. mixing the darkest elements of funky, dub and syncopated grime with a distinctly uk edge, beneaths complex layered beats result in a truly unique sound that is a perfect matched to remix fellow experimentalist photek. a young producer that clearly knows his shit, beneath is a breath of fresh air.

the mad aussies at haul music have changed things up a lot since the inception of their digital imprint nearly 5 years ago. in what might be described as a backwards move made by label-men who have simply lost their edge, they began releasing on vinyl only. first with a limited run of ornately illustrated portraits of the label owners, and now they are set to present a vinyl-only release from a cast of relative-unknowns.

disco aware, kwaito informed perfect tracks on the edge of house & techno.

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

vinyl only. get slow is back with its 3rd release. christian malloni delivers his best work to date for his get slow debut, outstanding sampling techniques building his fresh and cutting edge vision of contemporary underground club music. played and supported by : damian lazarus, clive henry, tricksi, brett griffin, feygin, chris duckenfield, silicone soul, zev, daniel solar, crispin dior, cosmonauts and more.

roger gerressen switches to the main fof label for his next release, liberal taking up the entirety of the a side with a killa groove resplendent with knife edged percussion and tripped out synth stabs. flipsides mint goes subaquatic with a serious slice of heads down bizinizz - a male spoken vocal refrain repeats throughout to give a hypnotic edge. lastly, roger teams up with his buddy smokin g on drunk game, super rounded, housed up beats and an undulating synth / string line permeate the groove lending the ep a sense of levity.

push the sky away ist das vielleicht außergewöhnlichste album der bad seeds. der longplayer strahlt natürlichkeit und waerme aus, ein werk von subtiler schoenheit. die songs haben über ein jahr hinweg gestalt angenommen in nick caves geliebtem notizbuch. das notizbuch ist ein analoges artefakt, doch das internet ist für nick cave ebenso essentiell.

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

zweites album von rainbow arabia. zum hoeren gibts ihren eigenen sound - irgendwo zwischen synthie, melodien, neon, hypnotischer atmosphaere und diversen reminiszenzen.

samoyed kicks off vases 2013 with two undeniably brave tracks and a change in direction for the hyped producer. breaking into new territory for the u.k artist he kicks off with sloe eyes, an percussive builder of a track with rave stabs and a brilliant catchy vocal hook. utilizing his brilliant use of the ethereal he keeps the club edge on this track emotional and heartfelt. the b-side guts starts with a hypnotizing vocal loop that slowly transcends into almost autechre territory but with an ear for african house on the drums. dj support comes from hudson mohawke, pearson sound, krystal klear and benji b. samoyed starts 2013 with a bang

boomchik is back with a 2nd release. si murray, one half of deep space orchestra, strikes out on his own with his other worlds project. solid basses and rattling percussion fuel an e.p. that gurgles with bright detroitesque finesse and variety that shifts between large almost basic channel feelings, to glitteringly precise house music. a five track release, full of floating pads and spacious reverbs take you directly to other worlds as lush strings and tight percussion patterns do exactly what they intend and trip you back to memories of warehouse days. murrays extremely tight production and musicality give this an edge that though reminiscent of the tones and feel of days gone by, has its feet firmly planted in the here and now.

new label project by waxjam named musical metaphor, run by the young italian producer luca ballerini. deep seductive techno tracks without being too polished and getting moody. tracks that keep their raw edge and have a little hypnotic feel and charming extra touch by the use of warm analog sounds. the b-side comes with a stunning alex picone remix! italian seems a great breeding ground for new techno producers! check

originally released in 2004 on the heels of the massively successful singles losing my edge and give it up, lcd soundsystems *yeah* is a choice dance-rocker with everything one expects from the dfa hit factory infectious baselines, killer disco beats and percussion, disaffected vocals and burning keyboards. back in print on vinyl, its an instant party with a climactic end.

pushing oldschool spiced techno with a dark edge by the sheffield dogs who easily earned an extra treat. 180gr vinyl

azimuth ep showcases this producers fresh take on electronic music across a range of tempos. dmarc cantu remixes the eps most dancefloor-friendly track, azimuth, lending it a deeper and more brooding edge. alis is the new project from italo-bulgarian londoner, sabina plamenova (formerly subeena). this new pseudonym reflects a more personal and vocal-lead endeavour, in her own words, not just a music about music approach but also an outlet for her own personality. a big name for 2013 and beyond.

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker � reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts�a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

the new album from the uk metal titans

played and supported by: hot since 82, dj. t, dyed soundorom, phonique, audiojack, richy ahmed, joyce muniz, trickski, andre crom, homework, hot since 82, death on the balcony, amine edge, adana twins, ntfo, doctor dru, daniel dexter, animal trainer, jay west, wildkats, show-b, shivers

intrepid kiwi music-maker mara tk cooks up a soulful, free-spirited two-track ep, taniwhunk, with deeply magnetic results. here is as authentic a listen as you are likely to get all year, experimental, challenging, enriching music without polished edge or tiresome brand -building edifice. taniwhunk is 21st century maori music - music with something to say ... everything to say.

the famous >warung< and >d edge< club resident and three times best brazilian dj voted paulo boghosian & torquato make the follow up on the new cecille imprint cic records. the ep starts with the massive >fragments< track, crowing synthesizers evolving into talking vocals. ruff but still moody coming the two versions of >silence & rhythm<. great atmospheric tracks with a special touch of deepness and intensity. the second one on the flip is called >whitegen<, mixed deep and tech house at its best

cutting edge 2004 avant-techno classic with strong disco roots.

sparse, killer ambient drum & bass on the edge to dubstep.
pressing on transparent dark yellow, smokey marbled vinyl.

this is the second vinyl in jerome sydenhams 3 part animal social club vinyl series. what you hear is not really the rainforest, or the wilderness. dont let yourears and eyes fool you. the primal edge, that instinctdriven music, raw and inviting, signals another meeting of the pack. and every time the wild ones get together, the quality of the sound is unmistakable. breathe, dance, listen, drink your fill, take it all in: this is an environment where there are no inhibitions and spontaneity is everywhere, in everything. a place where house and techno are the heartbeat. this is the primal universe of the animal social club.

parisian techno enfant terrible mondkopf makes a rare excursion away from his fast rising in paradisium imprint to deliver an ep for perc trax, a label that clearly shares mondkopfs love for the experimental, the industrial and the distorted. across these three tracks the french producer applies an overdriven, fuzz-heavy aesthetic to symphonic broken beat techno. think ancient methods or perc at their most uncompromising but then expanded in every direction heavier bass, sharper highs and an orchestral edge that is epic without ever coming across as contrived.

*magdalena* ist die zweite single aus dem *look around the corner* album von quantic und alice russell mit der combo barbaro. diese zweite single-auskopplung vereint einen unwiderstehlichen soulful stampfenden groove mit lebendigen folkloreeinflüssen und einem singalong gefühl. der titeltrack ist eine fundgrube von remixen und exclusives. behling & simpson bringen ein deep disco house reworking von *magdalena*, hint & anchorsong kommen mehr cutting-edge um die ecke, und simbad mixt den hit *look around the corner* mit gospel vocals und einem acid club flava in zwei versionen, außerdem gibt es *magdalena* noch als extended version und in der acoustic version. dem vinyl liegt eine cd mit 10 verschiedenen versionen und remixen bei.

shameless toady are delighted to announce their latest release from london-based rising star pip williams. >analog sequences< is a limited 4 track ep on heavyweight 12 inch vinyl. clearly not one to limit his style to any one genre, toad007 features a wealth of cutting-edge uk bass music spanning electro and dubstep through to subtle and melodic modular ramblings.

early feedback from artist like: audiofly, silicon soul, desyn masiello, dj w!ld, danny howells, atfc, chloé, maetrik, stacey pullen, hector couto, el mundo & satori, miguel lobo, yaya, darius syrossian, nic fanciulli, dzeta n basile, mihai popoviciu, david herrero, sergio fernandez, amine edge

konkoma remixed sees three of konkomas choicest album cuts remixed and reworked by three of the most exciting synth laden afro-electro producers around today. with the original versions rooted in 1970s ghana, konkoma remixed adds modern edge to their rich blend of afro-funk, jazz, soul and traditional african rhythms. their debut album, released earlier this year through soundway records, won plaudits for its sophisticated mix of afrocentric music and soulful melodies.
the 12 inch vinyl comes with a free mp3 of the release.

after their enormous release on bad taste recordings, new drums/double thinking, the teddy killerz return with nphonix for another dose of some of the hardest, underground drum and bass around. with releases on the likes of fokuz limited, icarus audio, citrus recordings, caliber music and bad taste recordings between them, the deadly pairing bring two tracks of cutting edge dnb for bt027.

the recent advance 1-sided 12 inch featuring the vakula and oe remixes is now sold out and out of print (never to be repressed). now you can get the full release. this 12 inch features 4 different, but excellent mixes of this track from lusty zanzibars first ep for glenview records. the original is a groovy, feel good synth driven instrumental cut. volta cab gives it a rough house edge, vakula goes for an acid house vibe and oe drops a driving, dark house mix. excellent!

now keep your eyes and ears peeled for an original hreno! his music is best described when not described. although it has been likened to an unmanned, deep space, probe droid. or an unrelenting pony ride at a petting zoo. experiencing this music is like standing on a rivers edge, or on a vast precipice. either for the bathtub or a spring mounted dance-floor. hreno has opened his vaults. dive into a sonic experience, travel from country to country, forget boarders, feel your heart warm up, suddenly you are completely new. then portage to reach the other side and let yourself get lost ...
pressing on blue, marbled vinyl.

already a regular fixture on figure, swedish talent mikael jonasson returns for his third outing on the label with two cutting-edge techno experiments. incredibly crisp and clear, already primed for the worlds finest bigsystems, cravings encapsulates everything that a modern paranoid techno jam should be. surging textures, static-madness and a whole lot of detail wrapped up in a rolling, funky workout. jonasson is well known for his attention to detail and freaky, alien sound effects, and cravings only solidifies his talents there. the fizzing, low slung thump of swings still twists and shimmers in the high frequencies, full of details, but the deeper earthy kick and bass barrage take this one into more serious, heads-down zones. a real slammer for moments when you know youve captured your followers completely

ashley beedle is one of the pioneers of global dance music. a man with so many different musical hats its dizzying. a man who is as at home playing and producing deep funk, soul and reggae as he is with cutting edge house and techno and everything in-between. a man who has had as many akas and pseudonyms as a wu-tang clan mc. a true inspiration to many of todays crop of djs and producers, including us here at girls music hq.

french fries delivers two originals on the cutting edge of modern bass. �space alarm� is right up in your face but artfully holds back right when you think it will go over the top. the inside �smoke wine� is more in the vein of last years smash �yo vogue,� yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible �ooooh� from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

were still recovering from our big five oh milestone, but the music never stops and this time we have something new from souvenir wunderkind re.you.

one of figures most prolific artists, a.mochi offers up his first ever ep for figure spc, with 2 especially subterranean and highly charged tracks. mochi, who last year released his outstanding >primordial soup< lp on figure, continues to tread the line between functional club techno, and post-apocalyptic mechanical soundtracks. the well-defined a side burner, >riff< charges along with textured, woody percussion at its heart, and mochis trademark white noise ensemble pushing the high frequencies. a reduced, classically minimalist work, the track relies on just a handful of elements to induce a real fever on the dancefloor. following closely in its footsteps is >sunset<, a deeper cut with hi-tech atmospheres and intricate percussion at its core. metallic synths surge under mochis wall of bass, and the straight-ahead ebb of the sharp hats and claps edge this monster into even darker zones.

my nu leng join 877 records to present this exciting two track ep released on vinyl and digital. a side, the grid leads the way with an explosive dancefloor anthem that is already receiving serious attention in clubs and on radio. garage organs mix with rolling bass, swirling vocal cuts and boiling percussion all mixed together to form an instantly memorable and timeless floor-filler. hips n thighs (ft. majora) follows where the a side left off, a tough and dark stomper blending classic elements with cutting edge sounds, mysterious vocals and rising melodies.
early dj support from: dj ez, rosca, el-b, addison groove, marcus nasty,hudson mohawke, clek clek boom, goldffinch, tomb crew and many more

nice price deal !!! after the massive big bad and heavy, savage rehab 360 degree ep, dj chaps inna streets and a wealth of other releases, the v camp continue to keep things moving with this stellar does not compute release.
a brand new act, does not compute lean towards the classic sounds of old - but with first rate production that is very much cutting edge. invoking the underground sounds first pioneered on v by the likes of artificial intelligence, does not compute are a breath of fresh air for the dnb scene.

we are very proud to introduce the next release out of madtech records, this time it is in the shape of the new single from krystal klear >more attention<. this stellar track is accompanied by the equally excellent b-side >my love is burning<. both tracks are reminiscent of late 80s / early 90s sounds using samples to resuscitate the ghosts of past genres with a firm current house beat snapping it back to a contemporary cutting edge house sound. krystal klears nostalgic sound is created in a sea of synthesisers, hooks, drum machines and samples that are weighted by present-day bass licked house beats.

vienna based dj and producer roman rauch doesnt like to compromise. hes constantly pushing his musical boundaries: house, techno, disco, funk. rr mixes the shit together like on his full 12? for quintessentials! keeping a raw edge on all 4 tracks, roman still provides club appeal. yes, we think hes talented, thats why he already released on philpot, endless flight or tenderpark. may the haus be hoch!

having released his critically acclaimed third album �>personality�< earlier this year, scuba has announced news of a brand new single �>talk torque�<. the one-�sider �>talk torque�< will be released through hotflush as a limited edition red marbled vinyl and will coincide with the world premiere of scuba�s live show on november 3rd in london. not one to rest on his laurels, scuba has been busy this summer djing at countless european festivals including off-�sonar, sw4, hideout, primavera, closing bestival on the saturday and making his debut at ibiza. hotflush recordings has blossomed into a veritable juggernaut in underground electronic music, releasing everything from techno (sigha, george fitzgerald) to some of the most experimental and important music of the past few years by artists like joy orbison, untold, mount kimbie and sepalcure. having cemented his place at the cutting edge of electronic music with �>personality�<, scuba now turns his attention to the live scene. scuba�s debut live show promises to be nothing short of spectacular and is not to be missed.

bristol-based behling & simpson come correct for apple pips with two slices of cavern-deep, slo-mo tripped out bass-led housey doings� these chaps have been making waves in the last year or so with their mixture of bass music, deep house, boogie and discoid with a characteristic bristol edge of not caring for the rules. with killer releases on bristol house dons futureboogies own label and a stonking re-edit of faith evans getting plays from peeps like modeselektor, derrick carter, untold, mosca, jackmaster and many more they continue to forge out their own groovy path through the bass scenes myriad styles� >where the ohs< glides along on a rolling, endlessly chugging beat, with glacial synth sweeps, dubbed out finger clicks, treated vox and sub bass stabs slowing cutting through the mix�perfect slo mo house styles for fans of prins thomas, todd terje, mark e, andrew weatherall etc